Buglers of Arlington National Cemetery (Repost)
8 years ago
Repost from Buglers of Arlington National Cemetery by Jari Villanueva via TAPS BUGLER
TAPS can be heard an average of thirty times a day at Arlington National Cemetery. The bugle call is sounded at the many funerals and ceremonies held there, including wreath ceremonies at the Tomb of the Unknowns. The Army, Marines, Navy and Air Force have bands stationed in the Washington, D.C. area, from which buglers are assigned to play for various ceremonies at the cemetery.
The bugler plays an important role in the military funeral. A bugler reports to the gravesite before each funeral. During the honors portion of the ceremony, a firing party fires three volleys. This is followed by the sounding of TAPS. The military honors conclude with the folding of the flag and its presentation to the next of kin.
An atmosphere of reverence is desired throughout the cemetery. Upon hearing TAPS, visitors to Arlington should cease conversation, face toward the music, and place their right hand over their heart. Military members in uniform should render the hand salute. Today, the use of actual valveless bugles is limited because of logistical requirements. Most bugle calls at Arlington are sounded on a valved trumpet or cornet. However, the US Army Band retains the tradition of using bugles in ceremonies at the Tomb of the Unknowns.
The following are brief bios of buglers who sounded TAPS at ANC:
FRANK WITCHEY (1891–1945) Third Cavalry Regiment
Born in Kansas City, Missouri, Staff Sergeant Frank Witchey started blowing bugles and trumpets when he was 9. One of his comrades in the Third Cavalry said at the time of his retirement that he was at his best in blowing TAPS. “Not many people were dry-eyed when he got through,” said the soldier. Sgt. Witchey sounded TAPS at the interment of the Unknown Soldier on November 11, 1921, with President Harding presiding. He also sounded TAPS for the funerals of President Woodrow Wilson, Lt. General Nelson A. Miles, Lt. General S. B. M. Young, Major General Leonard Wood and Colonel William Jennings Bryan. The bugle used by Sergeant Witchey was the one originally issued to him by the Army. The day after he blew TAPS for the Unknown Soldier on armistice Day 1921, he bought it from the Quartermaster for $2.50. He had the instrument gold-plated and a record of all the important ceremonies at which it was blown engraved on it. Sgt. Witchey is buried at Arlington in Section 18.
GEORGE MYERS (1920–1998) US Army Band
Sergeant First Class George Myers served in the US Army Band from 1945–1961. He was principal bugler for the band and sounded TAPS at the interment of the WWII/Korean War Unknowns on May 30, 1958. He also sounded TAPS at the funerals of General John “Black Jack” Pershing, General George C. Marshall, General Hap Arnold and Secretary of State John Foster Dulles. He retired in 1981 from Longfellow Intermediate School in McLean and taught trumpet privately. He was a native of Kokomo, Indiana and was a music graduate of Butler University. He received a second bachelor’s degree, in education, from American University Sgt. Myers is buried in Section 34 near the gave of General Pershing.
KEITH COLLAR CLARK (1927–2002)
Keith Clark was the Principal Bugler with The United States Army Band who was placed in the world spotlight when he was called to sound Taps at the Funeral of John F. Kennedy. Clark was born on November 21, 1927, in Grand Rapids, Michigan, and studied trumpet with Clifford Liliya and Lloyd Geisler. After graduation from Interlochen Music School, he played with the Grand Rapids Symphony. In 1946, he enlisted in the U.S. Army and served as trumpet soloist with the United States Army Band. A deeply religious man, his life-long passion for rare books and hymns resulted in a publication, A Select Bibliography for the Study of Hymns. It was during his tenure with the Army Band that Clark received national attention as the bugler who sounded Taps for John F. Kennedy’s funeral. The Taps will be forever remembered as the Broken Taps. His bugle is on display at Arlington National Cemetery. After retiring from the army, Clark went on to a successful career of teaching, performing, and writing. His love of hymns brought him much recognition as a scholar and he has received numerous awards. He lived in Florida and was quite active as a trumpeter. His collection of Hymns was acquired by Regent University, Virginia Beach, VA in 1982. Mr. Clark’s great love for hymnody and Psalmody resulted in this large collection from various dealers and individuals. Containing more than 9,000 volumes, the Clark Hymnology Collection includes thousands of hymnbooks from various American denominations and churches, as well as several well-known books on hymnody from the 17th century to the present.
PATRICK MASTROLEO (1931–2010) US Army Band
Sergeant Major Patrick Mastroleo served in the US Army band from 1956–1991. He sounded TAPS at the funerals of Presidents Truman, Eisenhower and Johnson. Mastroleo became the principal bugler of the US Army Band in February, 1968 and served in that position until his retirement. On May 28, 1984, he sounded Taps for the interment of the Vietnam Unknown. President Reagan presided. The Vietnam Conflict Unknown was disinterred in 1998 and identified as Air Force First Lieutenant Michael Blassie. Blassie was reburied at Jefferson Barracks in Missouri.
October 18, 2021 - Honoring the Battlefields of France – and the Centennial of America's Unknown SoldierPosted October 19, 2021
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Did you know?
Are the shoes specially made with very thick soles to keep the heat and cold from their feet?
The shoes are standard issue military dress shoes. They are built up so the sole and heel are equal in height. This allows the Sentinel to stand with a straight back and perpendicular to the ground. A side effect of this is that the Sentinel can "roll" on the outside of the build up walking down the mat. Done correctly, the hat and bayonet will appear to not "bob" up and down with each step. It gives a more formal, fluid and smooth look to the walk, rather than a "marching" appearance.
The soles have a steel tip on the toe and a "horseshoe" steel plate on the heel. This prevents wear on the sole and allows the Sentinel to move smoothly during his movements when he turns to face the Tomb and then back down the mat.
Then there is the "clicker". It is a shank of steel attached to the inside of the face of the heel build-up on each shoe. It allows the Sentinel to heel click during certain movements. A guard change is considered great when all the heel clicks fall together and sound as one click. The guard change is occasionally done in the "silent" mode (as a sign of devotion to the Unknowns) with no voice commands - every thing is done in relation to the heel clicks and on specific counts.